Common πŸ—² Ground

Tom Keene

Common πŸ—² Ground

Co-making Urban Data
βŒ‚βŒ‚βŒ‚ Infrastructures βŒ‚βŒ‚βŒ‚

Artist & activist-led research into infrastructure as artwork Β· method Β· performance Β· tool

Dr Tom Keene

β€œI make things to make sense of things.”

  • Artist: Net art, participatory art & design, open-source cultures, DIY, DIWO, and critical technical practice
  • Artist and Activist-led Researcher: Urban regeneration, democracy, technology, and urban change
  • Educator: Direct BA Digital Media Culture and Technology, Current Media Arts Dept., Royal Holloway

A Critical Technical Practice

I build things to explore how technologies shape everyday life, democracy, and social relations.

  • artistic and technical experimentation
  • making code, contraptions, conversations, and interventions
  • social activism
  • theories of technology and society

Origins

Common πŸ—² Ground grew out of Database (e)State, an artist- and activist-led research project within a campaign that prevented the demolition of 306 homes in South West London… including my own.

β€œThe database told us Cressingham Gardens Estate was too expensive to repair.”

  • Government DB systems shape democratic processes
  • These infrastructures distribute power and accountability
  • Operate on us and through us

A Shift In Focus

Database (e)State asked:
How does local government think and act through housing database systems?


Common πŸ—² Ground asks:
What kinds of relations, collaborations, and democratic possibilities can alternative infrastructures create?

Common πŸ—² Ground

A project in development: participatory research and creative practice with:

  • Refurbish Don’t Demolish (housing refurbishment campaign)
  • London Permacomputing (environmentally conscious computing)
  • TACO! (community arts space in Thamesmead)

It is emerging as a publishing and collaboration infrastructure, a research method, an activist toolkit, and a space for creative experimentation.

More-than-technical

Databases are not simply software running on a server. They are assemblages of:

  • people, maintenance, meetings, paperwork, protocols, categorisations
  • homes, histories, technologies, processes, actions

Databases are sites of material, commercial, environmental, governmental, and political relations. They are social and cultural infrastructures.

Software Performs

Database software does not simply represent the world. It helps produce our cities by shaping:

  • what becomes visible
  • what can be known
  • what can be counted
  • what actions become possible

Common πŸ—² Ground explores what becomes possible when communities experiment with their own data infrastructures.

What I Make

Portfolio of outputs sits between
artworks Β· research Β· activism Β· infrastructure

  • Local Authority Technology Mapping β€” identifying the technologies which govern us
  • Desired Datasets β€” datasets communities wish existed
  • Visual & Sonic Works β€” rethinking what data is and does
  • Code β€” performances of power and knowledge

In practice

The project is taking shape through workshops, screenings, and community activity.

  • Cressingham Gardens Walkshop: communicating lived experience of urban regeneration
  • London Permacomputing Workshop: prototyping a low-energy publishing platform
  • TACO!: public research collaboration in Thamesmead
  • Refurbish Don’t Demolish: identifying desired datasets with campaigners

Build πŸ—² Connections

  • Housing campaigns β€” legibility and contestation
  • Environmental groups β€” repair over replacement
  • Architecture β€” reforming consultation
  • Urban policy β€” accountable urban data practices
  • Permacomputing β€” tech/creative expertise in communities
  • Creative communities β€” building long-term infrastructure

Why This Matters

If data infrastructures shape what can be known, organised, imagined, and acted on, then it is vital to build creative alternatives that open up different democratic possibilities.

Common πŸ—² Ground

Co-making Urban Data Infrastructures

Exploring how alternative infrastructures can generate new forms of:

  • collective creativity
  • public engagement
  • democratic accountability

Tom Keene
tom.keene@rhul.ac.uk
www.theanthillsocial.co.uk